Sonam Kapoor and Imran Khan

Minisha Lambha

Sexy Minnisha Lamba gets kidnapped by Imran khan

Imran Khan

Imran Khan ‘Kidnaps’ Sanjay Dutt's daughter

Imran Khan is set to rock the box-office for the second time this year with his next movie Kidnap. Only this time, he’s not the good boy Jai Singh Rathod that you got to see in Jaane Tu Ya Jaane Na. Imran takes on a completely different avatar

Jaane Tu Ya Jaane Na (2008) - 1CD PDVD RIP XVID ~ Hindi Bollywood Movie Free Download

Banner
Aamir Khan Productions
PVR Cinema

Status
Released

Color
C
Release Date
July 4, 2008
Language
Hindi

Genre
Social

Producer
Mansoor Khan
Aamir Khan

Director
Abbas Tyrewala

Star Cast
Imran Khan...... Jai Singh Rathore
Genelia Dsouza...... Aditi
Ratna Pathak...... Savitri
Manjari Phadnis...... Meghna
Anuradha Patel
Jayant Kriplani
Alishka Varde...... Sandhya
Nirav Mehta...... Jignesh Patel
Ayaz Khan...... Sushant Modi
Karan Makhija
Sugandha Garg
Prateik Babbar...... Amit Wadia
Renuka Kunzru
Naseruddin Shah...... Jai Singh Rathore's father
Sohail Khan
Arbaaz Khan
Paresh Rawal...... Inspector P K Waghmare
Murli Sharma...... Inspector Prakash
Kittu Gidwani...... Sheela
Rajat Kapoor

Cassettes and CD's on
T-Series

Singers
Rashid Ali
Blaze
Mohd. Aslam
Tanvi
Anupama Deshpande
Benny Dayal
Darshana
Satish Subramanium
Runa Rizvi
Satish Chakravarthy
Naresh Iyer
Swetha Bhargavee
A R Rahman
Vasundhara Das
Sukhwinder Singh

Lyricist
Abbas Tyrewala

Music Director
A R Rahman



Rapidshare Links


Link 01 . Link 02 . Link 03 . Link 04

Link 05 . Link 06 . Link 07 . Link 08

Megaupload Links

Link 01 . Link 02 . Link 03 . Link 04

Link 05 . Link 06 . Link 07 . Link 08

Sendspace Links

Link 01 . Link 02 . Link 03 . Link 04

Link 05 . Link 06 . Link 07 . Link 08

Meet Avantika my real life soul mate: Imran Khan (Jaane Tu Ya Jaane Na) - Star Interview

For his first film which is about a group of 20-somethings on a high in life, Imran Khan not only borrowed elements from his own life, he also borrowed his own clothes to dress up his characters.

"Doing Jaane Tu Ya Jaane Na came very easily to me. My director Abbas Tyrewala would even make me wear some of my own clothes. Abbas would see me saunter in a teeshirt and say, 'Hey that would go well with my film."

If you expect a nervous 20-something waiting for the release of his film, then Imran Khan surprises you.

His candour and confidence and even his speech pattern are very Aamir Khan.

Yup, Imran is a chip off the old block, though not a very chirpy chip.

"I'm not shy but I take time to get comfortable with people. I've very few friends, and they've been with me for years. These are people who serve as a reality check. My friends keep me grounded. I was happy letting Aamir Maamu do all the speaking.

I also knew people would start making comparisons between us regardless of whether we were seen together or not. When the comparisons are inevitable what's the point worrying about it? I'd rather worry about things that are in my hands. I really appreciate Aamir's support, though."

How much does Imran depend on Aamir for advice?

" On a personal level we're extremely close. Yes he's my uncle and I'm proud of that. But we don't discuss each other's work besides Jaane Tu….We in our family have always been very good at separating the personal from the professional.

He has always been a great believer in letting every one he loves find his own path. He always tells me to make my decisions about which films to do."

For some time now Aamir has been doing all the talking for Imran. "I wanted the film to speak for me before I did. Now that people know what's in store in Jaane Tu Ya Jaane Na I feel more relaxed talking about the film. Though I'm still uncomfortable talking about myself."

Like Aamir, Imran wanted to be a director to begin with. "Yes, that's why I can look at my film objectively. I was 22 and immature when I wanted to be a director. Now I feel I'm not ready for direction yet.

Thank God Jaane Tu… came into my life. It happened when I went to Hindi classes with Neena Mehta when I was still in school. Many years later her daughter Pakhi was the casting director of Jaane Tu…She's now Abbas Tyrewala's wife.

Pakhi's mother remembered me and recommended me. Ya, I'd have gone on with my directorial plans if Jaane Tu.. had not happened.

I'd have probably made a dark film at that point of time. But having spent so many years in the film industry my tastes have gotten more commercial."

Like Aamir, Imran believes commercial films can be intelligent. "Where and how did we decide intelligent films can't be commercial?

I do believe at the end of the day we've to sell tickets in theatres. And for that we need to make the audiences feel good about a film. Given those parameters it's our duty to do something innovative."

Imran already has two other films on the floors. "Shibani Bhatija who wrote Karan Johar's Kabhi Alvidaa Na Kehna and his new film wrote Kidnap which I'm doing. It's an exceptional script.

My character was so interesting and attractive and a challenge for me because it's completely different from Jaane Tu….It required me to stretch myself as an actor.

It took me very far away from my comfort zone.Then there's Luck which takes me to another zone. Though I can identify with the character it's very demanding film physically.

I'll come out of Luck with a lot of bruises. It's a very outdoor film. And I am very athletic, " says the 5 foot 11 inch high hero-in-waiting.

Imran is seen very unselfconsciously in public with his girlfriend "I feel whoever you are in a relationship with, needs to feel like an important part of your life. The soul mate is very important support system. I'm glad to have her by my side."

He then adds, "People wrongly feel if a male actor is attached his career suffers. "Shah Rukh, Aamir Mamu, Hrithik all came into the industry attached. Finally it's only your work that the audience looks at."

Surprisingly Imran isn't daunted by the hype that's created by his debut film. "As the release gets closer I feel the hype building up. So far the nervousness hasn't hit me.

Closer to July 4, I suspect it will happen. I wonder if I can live up to all the expectations! Again, entirely out of my hands. I've seen Jaane Tu… dozens and dozens of times.

I've done whatever I could do. More than my happiness my director Abbas Tyrewala, Mansoor Khan and Aamir Mamu are happy. But I can see only the glaring flaws. But Aamir and Abbas are happy. So I'm going by their judgement."

Commenting on the competition on July 4 with Harman Baweja Imran sighs, "I wonder where such talk comes from! Filmmaking is not a marathon race where only one person wins.

For one film to be success it isn't necessary for the other to fail.It's all about whether the films are liked by the audience or not. And who says only one film can do well?"

Imran describes himself as fairly reserved in real life. "I put a lot of thought into what I do. I don't move forward until I'm completely happy with it. And I'm happy with the way things are going for me.

Jannat - Bollywood Movie Review - watch at your own Peril

Cast: Emran Hashmi, Sonal Chauhan, Samir Kochar, Javed Shaikh, Vishal Malhotra
Director: Kunal Deshmukh
Ratings: ***

More, more, more...The motto of motorised materialism seems to have overtaken contemporary life. Everyone wants the good things in life in the shortest time possible. The acquisitive spirit has seldom been defined with such economy of storytelling as in "Jannat".

Not surprisingly, a lot of Mahesh Bhatt's latest exposition on the excesses of materialism is shot in shopping malls, expensive restaurants and posh stadiums where money flows like unadulterated honey.

And when our hero sees the love of his life staring at a diamond ring he walks into the showroom and breaks the display window.

Get what you want by force and forget those homilies that papa preached at the dinner table about the virtues of honesty. "Honest money means hard work and little reward," says a wry character in "Jannat". He's obviously not read Ayn Rand.

Sanjay Masoom's scathing dialogues scamper across the film's lush skyline to create a language of wannabes who would stop at nothing to get that new villa on the Gold Coast.

Let's then applaud one more moral fable from Bhatt's sensible stable.

"Jannat" tells us to waste not, want 'nought'...By all means covet the zeroes on that pay cheque. But don't forget that if you run after the zeroes your life ends up in the zero zone.

Forty years ago in Hrishikesh Mukherjee's "Satyakam" Dharmendra had refused to succumb to all the temptations of materialism that were strewn in his path to salvation. Lying dying of cancer, he's asked by his wife: "Finally what do you have to say about your life of integrity?"

"I've lived," Dharmendra says at the end of "Satyakam".

Can Emran Hashmi (playing the small-time wheeler dealer who turns into a cricket match-fixer, criminal and moral transgressor) turn around before his gruesome death to say he has lived?

Yes, Arjun (Emran) has loved. At heart "Jannat" is a dark tragic love story. While the girl's innocence and the man's corruptible countenance resembles "Kalyug", the whole dilemma of the beloved being instrumental in destroying the criminal hero echoes "Gangster".

Both "Kalyug" and "Gangster" were superior in content and treatment.

Debutant director Kunal Deshmukh cannot escape the clichés on existentialism that have come to surround Bhatt's cinema...the morally conflicted Shakespeare-meets-James Hadley Chase hero, the independent-minded strong and value-based heroine, the hero's trusted and loyal friend (Purab Kohli in "Woh Lamhe", Shaad Randhawa in "Awaarapan", and now Vishal Malhotra), the ideologue father whose principles are held up to ridicule until the hero discovers the hard way that dad's remedies are the best to deal with ethical ambivalence.

These lingering leitmotifs get a renewed, if not luminous, life in every Bhatt production. But "Jannat" lacks the resonance and staying power of some of Bhatt's earlier films about crime and punishment from "Naam" to "Gangster".

Cleverly and cautiously Deshmukh's film brings in the cricket element, which has audiences ignoring the pitfalls of rejuvenating Bhatt's age-old iconoclasm.

The stock footage of real-life cricket matches are used well and sparingly in the plot. The stress, as ever in Bhatt's saga of our stressful times, is on the clashing colliding crisscross of human relationships.

Emran's father's sequence in his son's luxurious bathroom where he comments on the basket of soaps is a whammer.

But the wheeling dealing in the greenroom and clubs with cricketers of indeterminate nationality behaving like debauched goblins smacks of amteurishness. The murder of the Australian coach turns the Bob Woolmer scandal into a climactic add-on. May his soul rest in peace.

But what stays is the protagonist's passion for money as opposed to his love for Zoya (Sonal Chauhan). The end-game where the engagement ring is juxtaposed against the gun is arresting in more ways than one.

While Emran interprets the over-reaching get-rich-quick schemer's part with a native cunning, one misses that suave and smooth transitions in the character that perhaps a Naseeruddin Shah or even a Shahid Kapoor would bring on the table.

But Emran is charming enough to let the protagonist's journey from a chawl to Cape Town look interesting. He's constantly getting author-backed roles of the angst-ridden social outcast (a garage-sale version of Amitabh Bachchan) which he plays with a fair amount of sensitivity.

Debutant Sonal has much more to do than be the decorative doll she seems equipped to be.

She's the weakest link in the powerplay where the politics of the playing field is extended to an engrossing exposition of greed atonement.

Some of the supporting cast, especially Jawed Shaikh as the cricketing don and Abhimanyu as his silent henchman, come to grips with their characters better than you would expect in a film that has scant space for anyone except the man who would be king.

Jannat - Bollywood Movie Review - watch at your own Peril

Cast: Emran Hashmi, Sonal Chauhan, Samir Kochar, Javed Shaikh, Vishal Malhotra
Director: Kunal Deshmukh
Ratings: ***

More, more, more...The motto of motorised materialism seems to have overtaken contemporary life. Everyone wants the good things in life in the shortest time possible. The acquisitive spirit has seldom been defined with such economy of storytelling as in "Jannat".

Not surprisingly, a lot of Mahesh Bhatt's latest exposition on the excesses of materialism is shot in shopping malls, expensive restaurants and posh stadiums where money flows like unadulterated honey.

And when our hero sees the love of his life staring at a diamond ring he walks into the showroom and breaks the display window.

Get what you want by force and forget those homilies that papa preached at the dinner table about the virtues of honesty. "Honest money means hard work and little reward," says a wry character in "Jannat". He's obviously not read Ayn Rand.

Sanjay Masoom's scathing dialogues scamper across the film's lush skyline to create a language of wannabes who would stop at nothing to get that new villa on the Gold Coast.

Let's then applaud one more moral fable from Bhatt's sensible stable.

"Jannat" tells us to waste not, want 'nought'...By all means covet the zeroes on that pay cheque. But don't forget that if you run after the zeroes your life ends up in the zero zone.

Forty years ago in Hrishikesh Mukherjee's "Satyakam" Dharmendra had refused to succumb to all the temptations of materialism that were strewn in his path to salvation. Lying dying of cancer, he's asked by his wife: "Finally what do you have to say about your life of integrity?"

"I've lived," Dharmendra says at the end of "Satyakam".

Can Emran Hashmi (playing the small-time wheeler dealer who turns into a cricket match-fixer, criminal and moral transgressor) turn around before his gruesome death to say he has lived?

Yes, Arjun (Emran) has loved. At heart "Jannat" is a dark tragic love story. While the girl's innocence and the man's corruptible countenance resembles "Kalyug", the whole dilemma of the beloved being instrumental in destroying the criminal hero echoes "Gangster".

Both "Kalyug" and "Gangster" were superior in content and treatment.

Debutant director Kunal Deshmukh cannot escape the clichés on existentialism that have come to surround Bhatt's cinema...the morally conflicted Shakespeare-meets-James Hadley Chase hero, the independent-minded strong and value-based heroine, the hero's trusted and loyal friend (Purab Kohli in "Woh Lamhe", Shaad Randhawa in "Awaarapan", and now Vishal Malhotra), the ideologue father whose principles are held up to ridicule until the hero discovers the hard way that dad's remedies are the best to deal with ethical ambivalence.

These lingering leitmotifs get a renewed, if not luminous, life in every Bhatt production. But "Jannat" lacks the resonance and staying power of some of Bhatt's earlier films about crime and punishment from "Naam" to "Gangster".

Cleverly and cautiously Deshmukh's film brings in the cricket element, which has audiences ignoring the pitfalls of rejuvenating Bhatt's age-old iconoclasm.

The stock footage of real-life cricket matches are used well and sparingly in the plot. The stress, as ever in Bhatt's saga of our stressful times, is on the clashing colliding crisscross of human relationships.

Emran's father's sequence in his son's luxurious bathroom where he comments on the basket of soaps is a whammer.

But the wheeling dealing in the greenroom and clubs with cricketers of indeterminate nationality behaving like debauched goblins smacks of amteurishness. The murder of the Australian coach turns the Bob Woolmer scandal into a climactic add-on. May his soul rest in peace.

But what stays is the protagonist's passion for money as opposed to his love for Zoya (Sonal Chauhan). The end-game where the engagement ring is juxtaposed against the gun is arresting in more ways than one.

While Emran interprets the over-reaching get-rich-quick schemer's part with a native cunning, one misses that suave and smooth transitions in the character that perhaps a Naseeruddin Shah or even a Shahid Kapoor would bring on the table.

But Emran is charming enough to let the protagonist's journey from a chawl to Cape Town look interesting. He's constantly getting author-backed roles of the angst-ridden social outcast (a garage-sale version of Amitabh Bachchan) which he plays with a fair amount of sensitivity.

Debutant Sonal has much more to do than be the decorative doll she seems equipped to be.

She's the weakest link in the powerplay where the politics of the playing field is extended to an engrossing exposition of greed atonement.

Some of the supporting cast, especially Jawed Shaikh as the cricketing don and Abhimanyu as his silent henchman, come to grips with their characters better than you would expect in a film that has scant space for anyone except the man who would be king.

Genelia graces the music launch of Jaane tu ya jaane na

Aamir Khan made the music launch of his nephew Imraan Khan's debut film Jaane Tu...Ya Jaane Na special when he took the album to his idol Shammi Kapoor's residence and unveiled it with his blessings. The cast of the movie including Imraan and Genelia were present along with music director A R Rahman and T-series chief Bhushan Kumar.